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CHETIRI (FOUR​)​: VOZDUH (AIR)

from FIVE by Mihailo Trandafilovski

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for 24-voice mixed choir and string quartet

New London Chamber Choir / Kreutzer Quartet / Aidan Oliver

In CHETIRI (FOUR) (2012), a single impulse gives rise to four ‘elemental’ movements, based on haiku poems by the Macedonian writer Vladimir Martinovski. It was commissioned by the New London Chamber Choir, and the specific/unusual combination of a relatively large vocal group and a string quartet (by its nature, a more intimate, chamber music medium) was influential in generating various aspects of the piece. This complements the four interrelated poems: breaths are paralleled in waves; a ‘flying’ thought is brought back to earth by a raindrop; a bee falling through a black hole/into earth; light and sound on either side of midnight … Some aspects of the music specifically relate to the text: for example, the growing, expanding breaths/waves in the first movement, or the extreme textural contrasts in the third; in another way, the music and text are related through both breaking down and exploring the words/sounds – single phonemes, transitions, syllables are used to create texture, and similarly, a net of harmonic relationships is built connecting harmonic series, resonances based on the tuning (pure fifths) of the string instruments, and equal temperament.

lyrics

Four Haikus by Vladimir Martinovski

(selection from И ВОДА И ЗЕМЈА И ОГАН И ВОЗДУХ)


Translated by Rumena Bužarovska



ВОЗДУХ

Дишам со очи

затворени: секој нов

здив е бран морски



AIR

With my eyelids closed

I inhale: every new breath

is a wave of sea.

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from FIVE, released July 2, 2021

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Mihailo Trandafilovski London, UK

Macedonian-born, London-based composer, violinist and educator Mihailo Trandafilovski is a violinist in the Kreutzer Quartet, with whom he has performed and recorded extensively. He has an avid interest in the application of new music to pedagogy and has led a number of shared projects among the arts promoting contemporary artistic creativity to a wider audience. ... more

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